Joann Loviglio, Associated Press, Published March 06 2012
‘Perfect Strangers’ star Bronson Pinchot returns to TV in a much more reserved role, as himself
Pinchot likely remains best known as the endearingly naïve, quasi-Mediterranean immigrant Balki Bartokomous from the TV sitcom “Perfect Strangers.” But unlike Balki, Pinchot is by his own admission “fiercely private” and an “introvert that does a pretty convincing performance as an extrovert.”
Still, he has decided to open his doors to America via “The Bronson Pinchot Project,” which premiered Feb. 11 on the DIY Network. In all, eight episodes were shot over 13 weeks at the end of last year in Harford, a village founded in 1790 and nestled in the Endless Mountains of Susquehanna County near the New York state line.
His filmography includes 1980s hits like “Risky Business” and “Beverly Hills Cop,” but since “Perfect Strangers” ended in 1993 after eight seasons, Pinchot has performed on and off-Broadway, appeared in touring theatrical productions and done voiceovers and audiobooks.
His new show, though, is altogether different.
First, the designs are his own. “I get a kick out of it because I sit there with a sketchbook and say, ‘This is what it should look like when it’s done’ and in the end it either looks like that or it’s better,” he said. “My theater training helps; in theater, it doesn’t matter where you’re at with your performance, opening night is opening night.”
Home base is Pinchot’s circa 1840 mansion in the center of Harford, a town of about 1,300 people. It was the home of state Sen. Edward Jones in the early 1900s and had more recently served as office space. Pinchot bought the place in 2000.
“I wanted a Greek Revival house within five driving hours of New York City,” Pinchot said. When he first walked in, he said, he knew he would buy it.
When he arrived, the scene couldn’t have been better staged by a Hollywood set designer: The house smelled of cinnamon toast, the air outside smelled of fresh manure, a woman pushing a baby carriage paused to admire a neighbor’s fuchsia roses across the street.
“I was already sold, but that was like God was hitting me over the head with a sledgehammer,” he said. “OK, I get it, I get it!”
He now owns six historic properties in Harford, including what was a burned-out vacant home also from around 1840 and a sweet blue-shingled building that houses the town’s post office. Eventually, he hopes many of the properties will be places for visiting friends to stay.
The first season’s architectural stars are his Ionic-columned mansion and Decker House, a smaller home rehabbed with salvaged wood from demolished old buildings, windows from an abandoned farmhouse and floors from a property formerly part of late heiress Doris Duke’s estate.
Not only is “The Bronson Pinchot Project” a show about historic restoration, it’s a love letter to his adopted hometown.
“Harford is to be seen through my lens, which is that it’s heaven on earth,” he said. “None of this ‘big fish in a little pond.’ No. We’re not doing ‘Green Acres.’ ”
Pinchot, 52, an antiques collector and enthusiast of classical art and architecture since childhood, is a hands-on renovator who employs local carpenters and craftspeople; many are slated to appear in the show.
Years of trial and error have culminated into the current style viewers will see taking shape – a blend of English regency and American high country along with 19th-century plaster casts of ancient Greek sculpture and architectural flourishes. The goal is for rooms to look like they’ve taken shape over many decades, he said.
His earliest home rehab forays involved getting all the period details and furniture just right. But it felt wrong.
“I looked around and thought, ‘Well now all it’s missing is a docent and a leaflet that says where the cafe is,” he said. “I made a little museum and that’s not what I want.”
Things you won’t see in Bronson world: kitchen appliances. Refrigerators – which Pinchot calls “unacceptably, unforgivably ugly” – ovens, dishwashers and microwaves are cleverly concealed behind salvaged wainscoting, cupboards and cabinets mounted clandestinely on hinges, like a bookcase hiding a castle’s secret passageway.
All of his properties eventually will get the full “Bronsonian” treatment, a process shaped both by the availability of salvage materials and Pinchot’s own improvisational approach to renovating.
“I hope we can do this for 10 seasons!” he said. “We could do an episode on every room.”
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